{"id":4409070,"date":"2025-10-20T17:30:00","date_gmt":"2025-10-20T15:30:00","guid":{"rendered":"https:\/\/revista.enmodoflamenco.com\/?p=4409070"},"modified":"2025-10-20T15:46:42","modified_gmt":"2025-10-20T13:46:42","slug":"siete-estrenos-absolutos-marcan-la-segunda-semana-de-suma-flamenca","status":"publish","type":"post","link":"https:\/\/revista.enmodoflamenco.com\/en\/siete-estrenos-absolutos-marcan-la-segunda-semana-de-suma-flamenca\/","title":{"rendered":"Siete estrenos absolutos marcan la segunda semana de Suma Flamenca"},"content":{"rendered":"\n[et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb text_text_color=\u00bb#020202″ text_font_size=\u00bb18px\u00bb text_orientation=\u00bbjustified\u00bb width=\u00bb75%\u00bb module_alignment=\u00bbcenter\u00bb hover_enabled=\u00bb0″ global_colors_info=\u00bb{}\u00bb sticky_enabled=\u00bb0″]

El festival madrile\u00f1o reafirma su apuesta por el equilibrio entre la ra\u00edz y la vanguardia con 19 espect\u00e1culos que llevar\u00e1n el arte jondo a Madrid, San Lorenzo de El Escorial, La Cabrera y Rascafr\u00eda<\/strong><\/p>\n

<\/strong><\/p>\n


La segunda semana de Suma Flamenca<\/strong>, el gran festival organizado por la Comunidad de Madrid, vuelve a demostrar el vigor del arte jondo con siete estrenos absolutos<\/strong> y un total de 19 espect\u00e1culos<\/strong> que recorren escenarios de la capital y de varios municipios. Esta 20\u00aa edici\u00f3n<\/strong> subraya, m\u00e1s que nunca, la convivencia entre tradici\u00f3n y modernidad: el flamenco entendido como una forma viva, capaz de reinventarse sin perder su ra\u00edz.<\/p>\n

Martes, 21 de octubre<\/strong><\/span><\/p>\n

El pianista Andr\u00e9s Barrios<\/strong> abre la semana en los Teatros del Canal<\/strong> con De Utrera a Chamber\u00ed<\/strong><\/em>, un viaje musical que une el piano flamenco con el jazz, la m\u00fasica cl\u00e1sica y los sonidos del mundo.
En el Teatro de La Abad\u00eda<\/strong>, el legendario El Pele<\/strong> propone un recital de pureza y emoci\u00f3n, una vuelta a las ra\u00edces del cante m\u00e1s desnudo.<\/p>\n

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Mi\u00e9rcoles, 22 de octubre<\/strong><\/span><\/p>\n

El segundo d\u00eda llega cargado de homenajes. En los Teatros del Canal<\/strong>, la bailaora granadina Bego\u00f1a Castro<\/strong> estrena Tres haikus para Lorca<\/strong><\/em>, una obra inspirada en el universo po\u00e9tico de Federico Garc\u00eda Lorca y en la delicadeza del haiku japon\u00e9s. Flamenco y butoh se entrelazan en tres piezas \u2014Crep\u00fasculo (Tasogare)<\/em>, Vida (Inochi)<\/em> y Presencia (Sonzaikan)<\/em>\u2014 que indagan en la belleza invisible, la muerte y la vida so\u00f1ada.
En La Abad\u00eda, David Palomar<\/strong> celebra el centenario del nacimiento de La Perla de C\u00e1diz<\/strong> con Cien veces Perla<\/strong><\/em>, un tributo a la gran cantaora gaditana.<\/p>\n

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Jueves, 23 de octubre<\/strong><\/span><\/p>\n

El cantaor extreme\u00f1o Guadiana<\/strong> estrena en los Teatros del Canal<\/strong> De plata las herraduras<\/strong><\/em>, un recital \u00edntimo donde evoca su tierra, su familia \u2014los legendarios Porrina<\/strong>\u2014 y la memoria de su hermano, Ram\u00f3n el Portugu\u00e9s<\/strong>. Un recorrido por los cantes que han marcado su vida, con la hondura y pureza que caracterizan su voz.<\/p>\n

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Viernes, 24 de octubre<\/strong><\/span><\/p>\n

D\u00eda de gran densidad art\u00edstica en distintos escenarios.
En los Teatros del Canal<\/strong>, el guitarrista Pino Losada<\/strong> presenta Confluencia<\/strong><\/em>, un viaje desde las ra\u00edces flamencas m\u00e1s profundas hasta las sonoridades contempor\u00e1neas. En cada pieza, el m\u00fasico explora palos cl\u00e1sicos \u2014sole\u00e1, seguiriya, buler\u00eda\u2014 para luego desdibujar sus l\u00edmites con nuevas armon\u00edas y texturas.
En el Centro Cultural Paco Rabal<\/strong>, Esperanza Fern\u00e1ndez<\/strong> invita al p\u00fablico a sumergirse en el universo de los grandes creadores del flamenco con Corazones de agua<\/strong><\/em>.
Fuera de la capital, en el Centro Comarcal de Humanidades de La Cabrera<\/strong>, la bailaora Alba Heredia<\/strong> revive Mar\u00eda de la O<\/strong><\/em>, joya popular inmortalizada por Carmen Amaya<\/strong>, como alegato del triunfo del amor.
Y en el Teatro Real Coliseo Carlos III<\/strong> de San Lorenzo de El Escorial<\/strong>, Karime Amaya<\/strong> ofrece Contrapunto<\/strong><\/em>, di\u00e1logo entre guitarra, cante y baile.<\/p>\n

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S\u00e1bado, 25 de octubre<\/strong><\/span><\/p>\n

La jornada m\u00e1s intensa de la semana llega con tres estrenos de peso.
En los Teatros del Canal<\/strong>, la cantaora y guitarrista Teresa Hern\u00e1ndez<\/strong>, natural de La L\u00ednea de la Concepci\u00f3n, presenta Romances de la voz herida<\/strong><\/em>, un trabajo \u00edntimo y experimental en el que se acompa\u00f1a a s\u00ed misma junto a El Peli<\/strong> y Nasrine Rahmani<\/strong>.
Tambi\u00e9n ese d\u00eda, Mar\u00eda Toledo<\/strong> despliega su personal fusi\u00f3n de voz y piano en Dos pianos y dos palmas<\/strong><\/em> (Teatro de La Abad\u00eda), donde la pureza flamenca se abre al di\u00e1logo con la innovaci\u00f3n.
En La Cabrera<\/strong>, el bailaor Kelian Jim\u00e9nez<\/strong> estrena Gipsy dream. Todos somos Chaplin<\/strong><\/em>, inspirado en El gran dictador<\/em> (1940) de Charles Chaplin, una alegor\u00eda sobre la dignidad del pueblo gitano.
Por su parte, el Centro Cultural Paco Rabal<\/strong> acoge Vengo de mi Extremadura<\/strong><\/em>, con La Kaita<\/strong>, Alejandro Vega<\/strong>, Miguel y Juan Vargas<\/strong> y Josu\u00e9 Porrina<\/strong>, reivindicando la aportaci\u00f3n extreme\u00f1a al arte jondo.
Y en el Teatro Real Coliseo Carlos III<\/strong>, el guitarrista Daniel Casares<\/strong> presenta El poder de lo sutil<\/strong><\/em>, inspirado por su hija, una oda a las peque\u00f1as cosas que engrandecen la vida.<\/p>\n

<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb-70px|||||\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row column_structure=\u00bb1_5,1_5,1_5,1_5,1_5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb width=\u00bb63%\u00bb module_alignment=\u00bbcenter\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_5″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/revista.enmodoflamenco.com\/wp-content\/uploads\/2025\/10\/Teresa-Hernandez-Foto-Sofia-Boriosi-4-scaled.jpeg\u00bb title_text=\u00bbTeresa Herna\u0301ndez Foto Sofi\u0301a Boriosi (4)\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_heading title=\u00bbFoto by Sof\u00eda Boriosi\u00bb 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Domingo, 26 de octubre<\/strong><\/span><\/p>\n

La clausura de la semana se ti\u00f1e de emoci\u00f3n y homenaje.
El cantaor Gregorio Moya<\/strong>, reciente ganador de la L\u00e1mpara Minera<\/strong>, rinde tributo a Enrique Morente<\/strong> con Morente siempre<\/strong><\/em> (Teatros del Canal), un espect\u00e1culo que evoca la voz tutelar del maestro granadino.
En el Centro Cultural Paco Rabal<\/strong>, el chiclanero Antonio Reyes<\/strong> lleva su cante a Vallecas de la Frontera<\/em><\/strong>, recorrido por los estilos m\u00e1s caracter\u00edsticos de su repertorio.
Y en el Real Monasterio de El Paular<\/strong>, en Rascafr\u00eda<\/strong>, el violonchelista Jos\u00e9 el Marqu\u00e9s<\/strong> cierra la programaci\u00f3n con Violonchelo flamenco<\/strong><\/em>, una suite para violonchelo solo que explora nuevas fronteras sonoras del arte jondo.<\/p>\n

Un mapa vivo del flamenco actual<\/strong>
Con esta segunda semana, Suma Flamenca<\/strong> reafirma su condici\u00f3n de referente internacional. Cada escenario, cada artista, compone una parte del mapa sonoro del flamenco contempor\u00e1neo: un arte que, fiel a su origen, sigue abri\u00e9ndose al mundo sin perder su duende.<\/p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,1_3,1_3″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb width=\u00bb63%\u00bb module_alignment=\u00bbcenter\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/revista.enmodoflamenco.com\/wp-content\/uploads\/2025\/10\/GREGORIO-MOYA-Foto-Pacolega-scaled.jpg\u00bb title_text=\u00bbGREGORIO MOYA-Foto-Pacolega\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_heading title=\u00bbFoto by Pacolega\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb title_level=\u00bbh3″ title_font=\u00bbAkaya Kanadaka||||||||\u00bb title_text_align=\u00bbcenter\u00bb title_text_color=\u00bb#5e5e5e\u00bb title_font_size=\u00bb12px\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/revista.enmodoflamenco.com\/wp-content\/uploads\/2025\/10\/IMG-20240119-WA0011.jpg\u00bb title_text=\u00bbIMG-20240119-WA0011″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_text][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/revista.enmodoflamenco.com\/wp-content\/uploads\/2025\/10\/JOSE-LUIS-LOPEZ-2-Foto-Paco-Manzano-scaled.jpg\u00bb title_text=\u00bbJOSE\u0301 LUIS LO\u0301PEZ 2 Foto Paco Manzano\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_image][et_pb_heading title=\u00bbFoto by Paco Manzano\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb title_level=\u00bbh3″ title_font=\u00bbAkaya Kanadaka||||||||\u00bb title_text_align=\u00bbcenter\u00bb title_text_color=\u00bb#5e5e5e\u00bb title_font_size=\u00bb12px\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_text][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=\u00bb1″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_row _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb4_4″ _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_column][\/et_pb_row][\/et_pb_section]\n","protected":false},"excerpt":{"rendered":"

El festival madrile\u00f1o reafirma su apuesta por el equilibrio entre la ra\u00edz y la vanguardia con 19 espect\u00e1culos que llevar\u00e1n el arte jondo a Madrid, San Lorenzo de El Escorial, La Cabrera y Rascafr\u00eda La segunda semana de Suma Flamenca, el gran festival organizado por la Comunidad de Madrid, vuelve a demostrar el vigor del arte jondo con siete estrenos absolutos y un total de 19 espect\u00e1culos que recorren escenarios de la capital y de varios municipios. Esta 20\u00aa edici\u00f3n subraya, m\u00e1s que nunca, la convivencia entre tradici\u00f3n y modernidad: el flamenco entendido como una forma viva, capaz de reinventarse sin perder su ra\u00edz. Martes, 21 de octubre El pianista Andr\u00e9s Barrios abre la semana en los Teatros del Canal con De Utrera a Chamber\u00ed, un viaje musical que une el piano flamenco con el jazz, la m\u00fasica cl\u00e1sica y los sonidos del mundo.En el Teatro de La Abad\u00eda, el legendario El Pele propone un recital de pureza y emoci\u00f3n, una vuelta a las ra\u00edces del cante m\u00e1s desnudo. Mi\u00e9rcoles, 22 de octubre El segundo d\u00eda llega cargado de homenajes. En los Teatros del Canal, la bailaora granadina Bego\u00f1a Castro estrena Tres haikus para Lorca, una obra inspirada en el […]<\/p>\n","protected":false},"author":64,"featured_media":4409072,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"1280","footnotes":""},"categories":[26,16,118],"tags":[],"class_list":["post-4409070","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualidad","category-festivales-flamencos","category-noticias-flamenco","et-doesnt-have-format-content","et_post_format-et-post-format-standard"],"acf":[],"yoast_head":"\nSiete estrenos absolutos marcan la segunda semana de Suma Flamenca - En modo flamenco %<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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