{"id":4411303,"date":"2026-02-16T14:31:30","date_gmt":"2026-02-16T13:31:30","guid":{"rendered":"https:\/\/revista.enmodoflamenco.com\/?post_type=book&#038;p=4411303"},"modified":"2026-02-16T14:36:55","modified_gmt":"2026-02-16T13:36:55","slug":"flamenco-on-the-global-stage-historical-critical-and-theoretical-perspectives","status":"publish","type":"book","link":"https:\/\/revista.enmodoflamenco.com\/en\/book\/flamenco-on-the-global-stage-historical-critical-and-theoretical-perspectives\/","title":{"rendered":"Flamenco on the Global Stage: Historical, Critical and Theoretical Perspectives"},"content":{"rendered":"<p><em data-start=\"411\" data-end=\"492\">Flamenco on the Global Stage: Historical, Critical and Theoretical Perspectives<\/em> es un libro de <strong data-start=\"508\" data-end=\"529\">K. Meira Goldberg<\/strong> que estudia el flamenco desde perspectivas hist\u00f3ricas, cr\u00edticas y te\u00f3ricas. La obra centra su an\u00e1lisis en el <strong data-start=\"639\" data-end=\"662\">lenguaje del cuerpo<\/strong> de la bailaora, mostrando c\u00f3mo la danza transmite identidad, g\u00e9nero, autonom\u00eda y resistencia ideol\u00f3gica. A partir de fuentes hist\u00f3ricas como registros de la Inquisici\u00f3n, literatura del siglo XVI y diarios de viajeros europeos, Goldberg reconstruye la imagen cultural del flamenco y su evoluci\u00f3n narrativa. El libro combina investigaci\u00f3n acad\u00e9mica con an\u00e1lisis contempor\u00e1neo, proponiendo nuevas formas de entender el flamenco como pr\u00e1ctica cultural global y fen\u00f3meno art\u00edstico. Es un recurso valioso para estudiosos de flamenco, danza y cultura espa\u00f1ola.<\/p>","protected":false},"excerpt":{"rendered":"<p>Flamenco on the Global Stage: Historical, Critical and Theoretical Perspectives es un libro de K. Meira Goldberg que estudia el flamenco desde perspectivas hist\u00f3ricas, cr\u00edticas y te\u00f3ricas. La obra centra [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":4411304,"parent":0,"template":"","meta":{"_acf_changed":false,"_et_pb_use_builder":"","_et_pb_old_content":"","_et_gb_content_width":""},"book-category":[457],"book-series":[461,462],"book-author":[568],"class_list":["post-4411303","book","type-book","status-publish","has-post-thumbnail","hentry","book-category-el-flamenco-en-la-modernidad","book-series-antropologia","book-series-estudios-culturales","book-author-k-meira-golberg"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.9 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Flamenco on the Global Stage: Historical, Critical and Theoretical Perspectives - En modo flamenco<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/revista.enmodoflamenco.com\/en\/book\/flamenco-on-the-global-stage-historical-critical-and-theoretical-perspectives\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Flamenco on the Global Stage: Historical, Critical and Theoretical Perspectives - En modo flamenco\" \/>\n<meta property=\"og:description\" content=\"Flamenco on the Global Stage: Historical, Critical and Theoretical Perspectives es un libro de K. Meira Goldberg que estudia el flamenco desde perspectivas hist\u00f3ricas, cr\u00edticas y te\u00f3ricas. La obra centra [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/revista.enmodoflamenco.com\/en\/book\/flamenco-on-the-global-stage-historical-critical-and-theoretical-perspectives\/\" \/>\n<meta property=\"og:site_name\" content=\"En modo flamenco\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/revista.enmodoflamenco\/\" \/>\n<meta property=\"article:modified_time\" content=\"2026-02-16T13:36:55+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/revista.enmodoflamenco.com\/wp-content\/uploads\/2026\/02\/81SWTIGywL._SL1500_.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1050\" \/>\n\t<meta property=\"og:image:height\" content=\"1500\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"1 minute\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/revista.enmodoflamenco.com\/book\/flamenco-on-the-global-stage-historical-critical-and-theoretical-perspectives\/\",\"url\":\"https:\/\/revista.enmodoflamenco.com\/book\/flamenco-on-the-global-stage-historical-critical-and-theoretical-perspectives\/\",\"name\":\"Flamenco on the Global Stage: Historical, Critical and Theoretical Perspectives - En modo flamenco\",\"isPartOf\":{\"@id\":\"https:\/\/revista.enmodoflamenco.com\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/revista.enmodoflamenco.com\/book\/flamenco-on-the-global-stage-historical-critical-and-theoretical-perspectives\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/revista.enmodoflamenco.com\/book\/flamenco-on-the-global-stage-historical-critical-and-theoretical-perspectives\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/revista.enmodoflamenco.com\/wp-content\/uploads\/2026\/02\/81SWTIGywL._SL1500_.jpg\",\"datePublished\":\"2026-02-16T13:31:30+00:00\",\"dateModified\":\"2026-02-16T13:36:55+00:00\",\"breadcrumb\":{\"@id\":\"https:\/\/revista.enmodoflamenco.com\/book\/flamenco-on-the-global-stage-historical-critical-and-theoretical-perspectives\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/revista.enmodoflamenco.com\/book\/flamenco-on-the-global-stage-historical-critical-and-theoretical-perspectives\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/revista.enmodoflamenco.com\/book\/flamenco-on-the-global-stage-historical-critical-and-theoretical-perspectives\/#primaryimage\",\"url\":\"https:\/\/revista.enmodoflamenco.com\/wp-content\/uploads\/2026\/02\/81SWTIGywL._SL1500_.jpg\",\"contentUrl\":\"https:\/\/revista.enmodoflamenco.com\/wp-content\/uploads\/2026\/02\/81SWTIGywL._SL1500_.jpg\",\"width\":1050,\"height\":1500},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/revista.enmodoflamenco.com\/book\/flamenco-on-the-global-stage-historical-critical-and-theoretical-perspectives\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Zona privada\",\"item\":\"https:\/\/revista.enmodoflamenco.com\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Flamenco on the Global Stage: Historical, Critical and Theoretical Perspectives\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/revista.enmodoflamenco.com\/#website\",\"url\":\"https:\/\/revista.enmodoflamenco.com\/\",\"name\":\"revista.enmodoflamenco.com\",\"description\":\"Revista digital de actualidad y alta divulgaci\u00f3n de flamenco\",\"publisher\":{\"@id\":\"https:\/\/revista.enmodoflamenco.com\/#organization\"},\"alternateName\":\"revistaenmodoflamenco.com\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/revista.enmodoflamenco.com\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\/\/revista.enmodoflamenco.com\/#organization\",\"name\":\"revista.enmodoflamenco.com\",\"alternateName\":\"revistaenmodoflameco.com\",\"url\":\"https:\/\/revista.enmodoflamenco.com\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/revista.enmodoflamenco.com\/#\/schema\/logo\/image\/\",\"url\":\"https:\/\/revista.enmodoflamenco.com\/wp-content\/uploads\/2024\/11\/En-modo-flamenco-02-scaled.jpg\",\"contentUrl\":\"https:\/\/revista.enmodoflamenco.com\/wp-content\/uploads\/2024\/11\/En-modo-flamenco-02-scaled.jpg\",\"width\":2560,\"height\":2560,\"caption\":\"revista.enmodoflamenco.com\"},\"image\":{\"@id\":\"https:\/\/revista.enmodoflamenco.com\/#\/schema\/logo\/image\/\"},\"sameAs\":[\"https:\/\/www.facebook.com\/revista.enmodoflamenco\/\",\"https:\/\/www.youtube.com\/@enmodoflamenco\"]}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Flamenco on the Global Stage: Historical, Critical and Theoretical Perspectives - En modo flamenco","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/revista.enmodoflamenco.com\/en\/book\/flamenco-on-the-global-stage-historical-critical-and-theoretical-perspectives\/","og_locale":"en_US","og_type":"article","og_title":"Flamenco on the Global Stage: Historical, Critical and Theoretical Perspectives - En modo flamenco","og_description":"Flamenco on the Global Stage: Historical, Critical and Theoretical Perspectives es un libro de K. Meira Goldberg que estudia el flamenco desde perspectivas hist\u00f3ricas, cr\u00edticas y te\u00f3ricas. La obra centra [&hellip;]","og_url":"https:\/\/revista.enmodoflamenco.com\/en\/book\/flamenco-on-the-global-stage-historical-critical-and-theoretical-perspectives\/","og_site_name":"En modo flamenco","article_publisher":"https:\/\/www.facebook.com\/revista.enmodoflamenco\/","article_modified_time":"2026-02-16T13:36:55+00:00","og_image":[{"width":1050,"height":1500,"url":"https:\/\/revista.enmodoflamenco.com\/wp-content\/uploads\/2026\/02\/81SWTIGywL._SL1500_.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"1 minute"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/revista.enmodoflamenco.com\/book\/flamenco-on-the-global-stage-historical-critical-and-theoretical-perspectives\/","url":"https:\/\/revista.enmodoflamenco.com\/book\/flamenco-on-the-global-stage-historical-critical-and-theoretical-perspectives\/","name":"Flamenco on the Global Stage: Historical, Critical and Theoretical Perspectives - En modo flamenco","isPartOf":{"@id":"https:\/\/revista.enmodoflamenco.com\/#website"},"primaryImageOfPage":{"@id":"https:\/\/revista.enmodoflamenco.com\/book\/flamenco-on-the-global-stage-historical-critical-and-theoretical-perspectives\/#primaryimage"},"image":{"@id":"https:\/\/revista.enmodoflamenco.com\/book\/flamenco-on-the-global-stage-historical-critical-and-theoretical-perspectives\/#primaryimage"},"thumbnailUrl":"https:\/\/revista.enmodoflamenco.com\/wp-content\/uploads\/2026\/02\/81SWTIGywL._SL1500_.jpg","datePublished":"2026-02-16T13:31:30+00:00","dateModified":"2026-02-16T13:36:55+00:00","breadcrumb":{"@id":"https:\/\/revista.enmodoflamenco.com\/book\/flamenco-on-the-global-stage-historical-critical-and-theoretical-perspectives\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/revista.enmodoflamenco.com\/book\/flamenco-on-the-global-stage-historical-critical-and-theoretical-perspectives\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/revista.enmodoflamenco.com\/book\/flamenco-on-the-global-stage-historical-critical-and-theoretical-perspectives\/#primaryimage","url":"https:\/\/revista.enmodoflamenco.com\/wp-content\/uploads\/2026\/02\/81SWTIGywL._SL1500_.jpg","contentUrl":"https:\/\/revista.enmodoflamenco.com\/wp-content\/uploads\/2026\/02\/81SWTIGywL._SL1500_.jpg","width":1050,"height":1500},{"@type":"BreadcrumbList","@id":"https:\/\/revista.enmodoflamenco.com\/book\/flamenco-on-the-global-stage-historical-critical-and-theoretical-perspectives\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Zona privada","item":"https:\/\/revista.enmodoflamenco.com\/"},{"@type":"ListItem","position":2,"name":"Flamenco on the Global Stage: Historical, Critical and Theoretical Perspectives"}]},{"@type":"WebSite","@id":"https:\/\/revista.enmodoflamenco.com\/#website","url":"https:\/\/revista.enmodoflamenco.com\/","name":"revista.enmodoflamenco.com","description":"Revista digital de actualidad y alta divulgaci\u00f3n de flamenco","publisher":{"@id":"https:\/\/revista.enmodoflamenco.com\/#organization"},"alternateName":"revistaenmodoflamenco.com","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/revista.enmodoflamenco.com\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/revista.enmodoflamenco.com\/#organization","name":"revista.enmodoflamenco.com","alternateName":"revistaenmodoflameco.com","url":"https:\/\/revista.enmodoflamenco.com\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/revista.enmodoflamenco.com\/#\/schema\/logo\/image\/","url":"https:\/\/revista.enmodoflamenco.com\/wp-content\/uploads\/2024\/11\/En-modo-flamenco-02-scaled.jpg","contentUrl":"https:\/\/revista.enmodoflamenco.com\/wp-content\/uploads\/2024\/11\/En-modo-flamenco-02-scaled.jpg","width":2560,"height":2560,"caption":"revista.enmodoflamenco.com"},"image":{"@id":"https:\/\/revista.enmodoflamenco.com\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/revista.enmodoflamenco\/","https:\/\/www.youtube.com\/@enmodoflamenco"]}]}},"_links":{"self":[{"href":"https:\/\/revista.enmodoflamenco.com\/en\/wp-json\/wp\/v2\/book\/4411303","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/revista.enmodoflamenco.com\/en\/wp-json\/wp\/v2\/book"}],"about":[{"href":"https:\/\/revista.enmodoflamenco.com\/en\/wp-json\/wp\/v2\/types\/book"}],"author":[{"embeddable":true,"href":"https:\/\/revista.enmodoflamenco.com\/en\/wp-json\/wp\/v2\/users\/1"}],"version-history":[{"count":1,"href":"https:\/\/revista.enmodoflamenco.com\/en\/wp-json\/wp\/v2\/book\/4411303\/revisions"}],"predecessor-version":[{"id":4411305,"href":"https:\/\/revista.enmodoflamenco.com\/en\/wp-json\/wp\/v2\/book\/4411303\/revisions\/4411305"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/revista.enmodoflamenco.com\/en\/wp-json\/wp\/v2\/media\/4411304"}],"wp:attachment":[{"href":"https:\/\/revista.enmodoflamenco.com\/en\/wp-json\/wp\/v2\/media?parent=4411303"}],"wp:term":[{"taxonomy":"book-category","embeddable":true,"href":"https:\/\/revista.enmodoflamenco.com\/en\/wp-json\/wp\/v2\/book-category?post=4411303"},{"taxonomy":"book-series","embeddable":true,"href":"https:\/\/revista.enmodoflamenco.com\/en\/wp-json\/wp\/v2\/book-series?post=4411303"},{"taxonomy":"book-author","embeddable":true,"href":"https:\/\/revista.enmodoflamenco.com\/en\/wp-json\/wp\/v2\/book-author?post=4411303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}